"The Four Horsemen"

[Excited Penguin]

Try Nietzsche, you amateur.

Try Hume, you amateur.

Arguably, Freud was greatly influenced by Nietzsche. He is considered by some as his heir, in certain ways. He[Freud] definitely admired the man and his thinking. This is why I brought him up.

Between Hume and Nietzsche, on the other hand, there is no such relationship to be found, though there are certain similarities between the two of them upon approaching some topics. At least some would have you believe so - I do not necessarily agree with this point of view.

Here's what Nietzsche makes of your prescious Hume and his kind of philosophy , in his Beyond Good And Evil[ as translated by Helen Zimmern and made available by The Project Guttenberg over at http://www.gutenberg.org/files/4363/4363-h/4363-h.htm]
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252. They are not a philosophical race—the English: Bacon represents an ATTACK on the philosophical spirit generally, Hobbes, Hume, and Locke, an abasement, and a depreciation of the idea of a "philosopher" for more than a century. It was AGAINST Hume that Kant uprose and raised himself; it was Locke of whom Schelling RIGHTLY said, "JE MEPRISE LOCKE"; in the struggle against the English mechanical stultification of the world, Hegel and Schopenhauer (along with Goethe) were of one accord; the two hostile brother-geniuses in philosophy, who pushed in different directions towards the opposite poles of German thought, and thereby wronged each other as only brothers will do.—What is lacking in England, and has always been lacking, that half-actor and rhetorician knew well enough, the absurd muddle-head, Carlyle, who sought to conceal under passionate grimaces what he knew about himself: namely, what was LACKING in Carlyle—real POWER of intellect, real DEPTH of intellectual perception, in short, philosophy. It is characteristic of such an unphilosophical race to hold on firmly to Christianity—they NEED its discipline for "moralizing" and humanizing. The Englishman, more gloomy, sensual, headstrong, and brutal than the German—is for that very reason, as the baser of the two, also the most pious: he has all the MORE NEED of Christianity. To finer nostrils, this English Christianity itself has still a characteristic English taint of spleen and alcoholic excess, for which, owing to good reasons, it is used as an antidote—the finer poison to neutralize the coarser: a finer form of poisoning is in fact a step in advance with coarse-mannered people, a step towards spiritualization. The English coarseness and rustic demureness is still most satisfactorily disguised by Christian pantomime, and by praying and psalm-singing (or, more correctly, it is thereby explained and differently expressed); and for the herd of drunkards and rakes who formerly learned moral grunting under the influence of Methodism (and more recently as the "Salvation Army"), a penitential fit may really be the relatively highest manifestation of "humanity" to which they can be elevated: so much may reasonably be admitted. That, however, which offends even in the humanest Englishman is his lack of music, to speak figuratively (and also literally): he has neither rhythm nor dance in the movements of his soul and body; indeed, not even the desire for rhythm and dance, for "music." Listen to him speaking; look at the most beautiful Englishwoman WALKING—in no country on earth are there more beautiful doves and swans; finally, listen to them singing! But I ask too much...

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