Music theory nerds will like this
January 23, 2014 at 10:18 pm
(This post was last modified: January 23, 2014 at 10:18 pm by Tea Earl Grey Hot.)
This summarizes a pre-modern conception of harmony that existed in the 18th century. Most professional musicians back then understood music in approximately this way. Our music theory with its concepts of the fundamental bass (the root of the chord), inversions (i.e. recognizing that 5/3, 6/3, 6/4 are the same chord because they share the same root), functional harmony, and using roman numerals to analyze music were still in their infancy.
http://faculty-web.at.northwestern.edu/m...Octave.htm
http://faculty-web.at.northwestern.edu/m...Octave.htm
My ignore list
"The lord doesn't work in mysterious ways, but in ways that are indistinguishable from his nonexistence."
-- George Yorgo Veenhuyzen quoted by John W. Loftus in The End of Christianity (p. 103).
"The lord doesn't work in mysterious ways, but in ways that are indistinguishable from his nonexistence."
-- George Yorgo Veenhuyzen quoted by John W. Loftus in The End of Christianity (p. 103).
