RE: Favourite guitarist.
October 14, 2013 at 10:09 am
(This post was last modified: October 14, 2013 at 10:25 am by daandaan.)
(October 14, 2013 at 9:38 am)Kayenneh Wrote:(October 14, 2013 at 9:14 am)daandaan Wrote: if u r just playing pre chewed patterns, and dont know what u r doing , the pattern will never evolve becouse its just played as an automatic riff u have copyed from someone else...u know it works, but never be able to make something else out of it .
And yet 1-4-6-5 (or whatever variant you want to play those four chords) based songs are still to this day really successful (But who am I to argue with the mathematics of music, it translates well in the human brain, I guess )
http://www.youtube.com/watch?v=5pidokakU4I
http://www.youtube.com/watch?v=JdxkVQy7QLM
indeed, it translates well ino human brains...but its not so Original anymore...specifically the glam rock area of the 80 s it was used a lot ...almost every song had these elements ..example roxette listen to your heart...must have been love etc etc etc ...Europe, carry etc etc ....
its just 1 3 4 5 6 2 1 5 1 ...thats called the main cadens,,,, its just harmonising within in the scale
now, when u r playing in A and u want to modulate the tonal center of the piece ur playing ...u have to modulate ..for example a to b flat ..
thats A , d minor (flat subdominant in A) but it is also moll dur, the 3 th in b flat.
by using a moll dur , (i use german names becous i m dutch and dont know the english names) u have a coupling of 2 different scales by 1 common harmony ...
so now, (said that the d minor is the 3 th of b flat)..u can again apply the main cadens to finish confirming the tonal change..
a dm(moll durr) es f gm cm b-flat f b-flat
however this is just 1 way ..there are many more.
(October 14, 2013 at 10:09 am)daandaan Wrote:(October 14, 2013 at 9:38 am)Kayenneh Wrote: And yet 1-4-6-5 (or whatever variant you want to play those four chords) based songs are still to this day really successful (But who am I to argue with the mathematics of music, it translates well in the human brain, I guess )
http://www.youtube.com/watch?v=5pidokakU4I
http://www.youtube.com/watch?v=JdxkVQy7QLM
indeed, it translates well ino human brains...but its not so Original anymore...specifically the glam rock area of the 80 s it was used a lot ...almost every song had these elements ..example roxette listen to your heart...must have been love etc etc etc ...Europe, carry etc etc ....
its just 1 3 4 5 6 2 1 5 1 ...thats called the main cadens,,,, its just harmonising within in the scale
now, when u r playing in A and u want to modulate the tonal center of the piece ur playing ...u have to modulate ..for example a to b flat ..
thats A , d minor (flat subdominant in A) but it is also moll dur, the 3 th in b flat.
by using a moll dur , (i use german names becous i m dutch and dont know the english names) u have a coupling of 2 different scales by 1 common harmony ...
so now, (said that the d minor is the 3 th of b flat)..u can again apply the main cadens to finish confirming the tonal change..
a dm(moll durr) es f gm cm b-flat f b-flat
however this is just 1 way ..there are many more.
i see i used es, thats dutch ...e-flat ..it should have been
a b cis d e fis gis a
1 a cis e
2 b d fis
3 cis e gis
4 d fis a d f a = moll dur
5 e gis b
6 fis a cis
7 gis b d
8 a cis e
bes c d es f g a bes
1 bes d f
2 c es g
3 d f a plac wher the moll dur of A is the same as the 3th of bes (b flat)
4 es g bes
5 f a c
6 g bes d
7 a c es
8 bes d f