Right Wingers Claim Rap Music Is Dead Thanks to … Elon’s USAID Cuts
The racist conspiracy has been popularized by figures including Joe Rogan and Benny Johnson. It’s total nonsense.
The conspiracy asserts that somehow, with its roughly $40 billion annual pre-Musk budget, USAID had been propping up the American rap industry, to the detriment of other, more “American” genres. They claim that by eliminating USAID — the now defunct international humanitarian aid agency — DOGE opened the doors for “American” country artists to once again top the charts — as if rap music is not one of the most quintessentially American cultural creations in the nation’s history.
Their evidence? Well, the timing of the DOGE cuts coincides with a resurgence of country music’s popularity on streaming charts. Maybe this seems plausible if you squint real hard, ignore actual streaming data, and also common sense. There’s also a very blatant element of racism undergirding the whole thing.
In May, far-right social media poster and would-be musician Steve Frassen put out a call to his followers on social media. “ATTENTION PROUD WHITES:Everyone who hated rap in the 1990’s and 2000’s is VINDICATED,” he wrote. “Rap isn’t music.It’s government PISS that was funded by USAID to dumb down Middle America. Take a victory lap, proud Whites who didn’t fall for it!”
Within weeks, the claim made it onto the podcast of the perpetually credulous Joe Rogan, who spread it to his millions of listeners. “There’s some people that believe that gangsta rap when it came about in the 1980s [… was popularized by] some faction, the government, some faction, some intelligence agencies wanting to create more crime,” Rogan said — referencing older, also debunked conspiracies.
“People are pointing out that right now is like one of the rare times where no rap music is on the charts, and they’re saying, ‘Well, how does this coincide with USAID [being defunded]?’ Was USAID like actively promoting rap music?” he went on. “Was that one of the reasons why rap music was so possible? Popular? Is that real? That can’t be real.”
Rogan’s engagement with the conspiracy, which up until that point had been contained to the more extreme cesspools of social media, brought it to the front door of the right-wing creator economy.
Podcaster Tim Pool told his listeners in late July that “Maybe it was the USAID.”
“Rap music just vanished from the Billboard Top 40 for the first time in 35 years. Strange, a couple of months — so this would have been about four months after the shuttering of USAID — rap disappears from the Billboard Hot 100. Interesting,” he added.
While Langley has held the top spot for an impressive 40 weeks, the genre has not “disappeared” from the charts for that same amount of time, as some right wingers are claiming. On July 31, Drake, Lil Baby and Young Miami all held spots in the Top 20 of the Billboard Hot 100. Mac Miller, Ty Dolla $ign, Don Toliver, BabyChiefDoit, and a slew of other artists made the list.
Click slop creator Benny Johnson claimed on Thursday that “libtards” had no response to Langley and were “in shambles” over Langley’s success. To be clear, there is no discernable backlash to Langley or her music, and she has not spoken publicly about her politics.
“We were suppressed and our culture was manipulated and psy-opped by our own tax dollars and intel agencies, and Elon Musk shut it all down with USAID,” Johnson said. “Libs have no answer to it. So produce another piece of mumble rap garbage, please, CIA, and tell us that we’re going to like it.”
He repeatedly emphasized that Langley’s song had broken records set by Whitney Houston and Mariah Carey, two Black female artists, and added that the “queens of pop music” had been “traded for true American culture.”
https://www.rollingstone.com/politics/po...235601574/
The racist conspiracy has been popularized by figures including Joe Rogan and Benny Johnson. It’s total nonsense.
The conspiracy asserts that somehow, with its roughly $40 billion annual pre-Musk budget, USAID had been propping up the American rap industry, to the detriment of other, more “American” genres. They claim that by eliminating USAID — the now defunct international humanitarian aid agency — DOGE opened the doors for “American” country artists to once again top the charts — as if rap music is not one of the most quintessentially American cultural creations in the nation’s history.
Their evidence? Well, the timing of the DOGE cuts coincides with a resurgence of country music’s popularity on streaming charts. Maybe this seems plausible if you squint real hard, ignore actual streaming data, and also common sense. There’s also a very blatant element of racism undergirding the whole thing.
In May, far-right social media poster and would-be musician Steve Frassen put out a call to his followers on social media. “ATTENTION PROUD WHITES:Everyone who hated rap in the 1990’s and 2000’s is VINDICATED,” he wrote. “Rap isn’t music.It’s government PISS that was funded by USAID to dumb down Middle America. Take a victory lap, proud Whites who didn’t fall for it!”
Within weeks, the claim made it onto the podcast of the perpetually credulous Joe Rogan, who spread it to his millions of listeners. “There’s some people that believe that gangsta rap when it came about in the 1980s [… was popularized by] some faction, the government, some faction, some intelligence agencies wanting to create more crime,” Rogan said — referencing older, also debunked conspiracies.
“People are pointing out that right now is like one of the rare times where no rap music is on the charts, and they’re saying, ‘Well, how does this coincide with USAID [being defunded]?’ Was USAID like actively promoting rap music?” he went on. “Was that one of the reasons why rap music was so possible? Popular? Is that real? That can’t be real.”
Rogan’s engagement with the conspiracy, which up until that point had been contained to the more extreme cesspools of social media, brought it to the front door of the right-wing creator economy.
Podcaster Tim Pool told his listeners in late July that “Maybe it was the USAID.”
“Rap music just vanished from the Billboard Top 40 for the first time in 35 years. Strange, a couple of months — so this would have been about four months after the shuttering of USAID — rap disappears from the Billboard Hot 100. Interesting,” he added.
While Langley has held the top spot for an impressive 40 weeks, the genre has not “disappeared” from the charts for that same amount of time, as some right wingers are claiming. On July 31, Drake, Lil Baby and Young Miami all held spots in the Top 20 of the Billboard Hot 100. Mac Miller, Ty Dolla $ign, Don Toliver, BabyChiefDoit, and a slew of other artists made the list.
Click slop creator Benny Johnson claimed on Thursday that “libtards” had no response to Langley and were “in shambles” over Langley’s success. To be clear, there is no discernable backlash to Langley or her music, and she has not spoken publicly about her politics.
“We were suppressed and our culture was manipulated and psy-opped by our own tax dollars and intel agencies, and Elon Musk shut it all down with USAID,” Johnson said. “Libs have no answer to it. So produce another piece of mumble rap garbage, please, CIA, and tell us that we’re going to like it.”
He repeatedly emphasized that Langley’s song had broken records set by Whitney Houston and Mariah Carey, two Black female artists, and added that the “queens of pop music” had been “traded for true American culture.”
https://www.rollingstone.com/politics/po...235601574/
teachings of the Bible are so muddled and self-contradictory that it was possible for Christians to happily burn heretics alive for five long centuries. It was even possible for the most venerated patriarchs of the Church, like St. Augustine and St. Thomas Aquinas, to conclude that heretics should be tortured (Augustine) or killed outright (Aquinas). Martin Luther and John Calvin advocated the wholesale murder of heretics, apostates, Jews, and witches. - Sam Harris, "Letter To A Christian Nation"
