Leftwing Crazies And Their Climate Of Hate, Radicalism And Intolerance

[A Theist]

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Its a fucking Shakespeare play that's what happens in the play.

They gave the leader a Trumpish look to be relevant, the same way they do to every political leader ever.

paulpablo wrote: And he doesn't look trumpish by accident.
It's a play about the assassination of Donald trump.
Just like animal farm isn't just a story of a farm full of animals.
The images used are for a purpose.

From what I see there is every reason to suspect that this perversion of Shakespeare's "Julius Caesar" for being nothing more than the director's own hatred of President Trump. The director is Oskar Eustis, a leftist who hates conservatives, Republicans, and he hates Donald Trump. President Trump is Eustis' outlet for his hate. He also offers this brand of theatrical perversion as an outlet for his Trump hating audience so they too can vent their anger and applaud when the Trump like Caesar is stabbed to death.

Oskar Eustis is a leftist. His father was a Minnesota official for the Democrat Party and his Stepfather and Mother were members of the Communist Party. His Stepfather ran for Governor Of Minnesota on the Communist Party ticket. There's no reason to trust or believe the left when they dismiss this play to be something else other than a way to vent their hatred and anger toward President Trump. Never trust the left to tell the truth.

Like Papp, who belonged to the Communist Party in his youth, Eustis is a congenital leftist. His father, Warren Eustis, was a district attorney and an official of the Democratic Party in Minnesota, where Eustis grew up; Walter Mondale, Eugene McCarthy, and Hubert Humphrey were friends of the family. His stepmother, Nancy Eustis, is a sociologist at the University of Minnesota. His mother, Doris Marquit, a retired professor of literature and women’s studies, is an ardent activist and a member of the Communist Party; Eustis’s stepfather, Erwin Marquit, is a professor emeritus of physics at the University of Minnesota who, in 1974, ran for governor on the Communist Party ticket. Eustis’s politics are less doctrinaire—he supported Michael Bloomberg for reëlection last year, in acknowledgment of the New York mayor’s enthusiastic support for the arts—but he remains ostentatiously anti-establishment. Posters of the Berliner Ensemble hang on the walls of his office, and a carved statuette of Lenin stands on a shelf, juxtaposed with the Tony Award for Best Revival of a Musical that the Public won, last year, for its Broadway production of “Hair.” He does not mind it being thought that he adopted the name Oskar—his given name is Paul—in honor of Oskar Matzerath, the antihero of “The Tin Drum,” by Günter Grass, though in fact the name was bestowed on him by two disparaging classmates in seventh grade.

http://www.newyorker.com/magazine/2010/0...age-left-2